Eric Harold Portman
13 July 1901
|Died||7 December 1969 (aged 68)
St Veep, Cornwall, England
In the 1930s, he began appearing in films, starting with an uncredited bit in The Girl from Maxim’s (1933) directed by Alexander Korda. In 1935, he appeared in four films, including Maria Marten or Murder in the Red Barn with Tod Slaughter. He also made Hyde Park Corner with Gordon Harker and directed by Sinclair Hill; Old Roses and Abdul the Damned.
In 1936 Portman had a stage hit playing Lord Byron in Bitter Harvest. After Hearts of Humanity (1936), he played Giuliano de’ Medici in Hill’s The Cardinal (1936). Portman made another film with Tod Slaughter, The Crimes of Stephen Hawke (1936), and was in Moonlight Sonata (1937).
He went to the US and played in Madame Bovary on Broadway for the Theatre Guild of America. He also had a small role in The Prince and the Pauper (1937), but disliked Hollywood and did not stay long.
He was back on Broadway in I Have Been Here Before by J. B. Priestley. Portman’s last London stage show was Jeannie.
In the semi-autobiographical play Dinner with Ribbentrop by screenwriter Norman Hudis, a former personal assistant to Portman, Hudis relates a claim made often by Portman that in 1937, before the start of the Second World War, he had had dinner in London with Joachim von Ribbentrop (then the German Ambassador to Britain). Portman claimed that Ribbentrop had told him that “when Germany wins the war, Portman would be installed as the greatest English star in the New Europe” at a purpose-built film studio in Berlin.
In 1941 he had his first important film role playing Lieutenant Hirth, a Nazi on the run, in Powell and Pressburger’s 49th Parallel, which was a big hit in the US and Britain. Portman was established as a star and signed a long-term contract with Gainsborough Pictures.
Portman was in Powell and Pressburger’s follow up, One of Our Aircraft Is Missing (1942), which reworked the story of The 49th Parallel to be about Allied pilots in occupied Holland. He played a Belgian resistance leader in Uncensored (1942) from director Anthony Asquith, and a German pilot in Squadron Leader X (1943) with director Lance Comfort. Portman was a sailor in Asquith’s We Dive at Dawn (1943) and a factory supervisor in Millions Like Us (1943) from Launder and Gilliat. He was in another war story in Comfort’s Escape to Danger (1943), then was back with Powell and Pressburger for A Canterbury Tale (1944). Portman had the lead in Great Day (1945) with Flora Robson and in the expensive colonial epic Men of Two Worlds (1946).
In 1945, exhibitors voted him the 10th most popular star at the British box office. He maintained that ranking the following year.
He made some thrillers – Wanted for Murder (1947), Dear Murderer (1947) and The Mark of Cain (1947). He was a hangman in Daybreak (1948), then made Corridor of Mirrors (1948) and The Blind Goddess (1948). He made two films for the new producing team of Maxwell Setton and Aubrey Baring, The Spider and the Fly (1949) and Cairo Road (1950). Portman was one of many names in The Magic Box (1951) and then made an Ealing comedy, His Excellency (1952), playing a trade unionist who becomes Governor of a British colony. For Baring and Setton, he made South of Algiers (1953) then had a big hit on stage in Terence Rattigan’s Separate Tables and on film in The Colditz Story (1955). Portman had a supporting part in The Deep Blue Sea (1955) and Child in the House (1956). He had the lead in The Good Companions (1957).
He played the bogus Major in Terence Rattigan’s play Separate Tables in 1956–57 on Broadway. For this performance, he was nominated for a Tony Award (Best Actor (Dramatic)). In 1958 he appeared on Broadway in a short-lived production of Jane Eyre as Rochester. Portman had better luck the following year in a production of Eugene O’Neill‘s A Touch of the Poet, which had a long run. In contrast, Flowering Cherry by Robert Bolt, with Portman in the title role, only lasted five performances on Broadway.
Later film roles included in The Naked Edge (1961), Freud: The Secret Passion (1962), West 11 (1963), The Man Who Finally Died (1963), The Bedford Incident (1965), and The Spy with a Cold Nose (1966).
In 1962 Portman was in a stage adaptation of A Passage to India that ran for 109 performances on Broadway.
Near the end of his life he played character roles including Number Two in the TV series The Prisoner, appearing in the episode “Free For All” (1967), as well as films including The Whisperers (1967) and Deadfall (1968), both for director Bryan Forbes. His final film was Assignment to Kill (1968).